Find composition details, parts / movement information and albums that contain performances of Sequenza III, for voice on AllMusic. Luciano Berio. Sequenza . Sequenza III (author’s note). Sequenza III for voice (). The voice carries always an excess of connotations, whatever it is doing. From the grossest of noises. Berio described Sequenza III as being a 3 part invention built on elements of text, performance would be different, the directions on the score are very precise.

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Sequenza III (author’s note)

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The voice carries always an excess of connotations, whatever it is doing. Introspection Late Night Partying.

Is this the most bizarre and technically difficult piece of vocal music ever written?

In order to control such a wide range of vocal behaviour, I felt I had to break up the text in an apparently devastating way, so as to be able to recuperate fragments from it on different expressive planes, and to reshape beriio into units that were not discursive but musical. Il contenuto di questa pagina richiede una nuova versione di Adobe Flash Player.


Sequenza III is a piece very scofe of its era, paralleling other experiments in vocal music and textual meaning such as Cage ‘s Aria and Ligeti ‘s Aventures Sequenza III variously requires the performer to mutter under the breath, laugh, and sing in the conventional manner.

From the grossest of noises to the most delicate of singing, the voice always means something, always refers beyond itself and creates a huge range bedio associations. One of Luciano Berio’s most fruitful sources of inspiration was his long collaboration with soprano Cathy Berberian – 83who was the composer’s wife as well as a primary exponent of his work throughout the s.

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Sequenza III, for voice | Details | AllMusic

The text had to be homogeneous, in order to lend itself to a project that consisted essentially of exorcising the excessive connotations and composing them into musical units. In Sequenza III I tried to assimilate many aspects of everyday iji life, including trivial ones, without losing intermediate levels or indeed normal singing.

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The “text” consists of vocatives of little semantic value by Markus Kutter; meaning instead emerges via the soprano’s evocation of particular expressive formulas: Sexy Trippy All Moods. AllMusic relies heavily on JavaScript. Although Berio and Berberian divorced in the mids, their musical collaboration continued into the s.

For this reason Sequenza III can also be considered as a dramatic essay whose story, so to speak, is the relationship between the soloist and her own voice Sequenza III was written in for Cathy Berberian.

In Memoriam Cathy Berberian. Ricerca Search this site: Please enable JavaScript in your browser to use the site fully.

Is this the most bizarre and technically difficult piece of vocal music ever – Classic FM

Share on facebook twitter tumblr. Inspired by Berberian’s extraordinary vocal prowess, Berio set out in Sequenza III to create a catalog of vocal gestures that encompassed the gamut of effects and techniques. Genre Vocal Music Classical.