“The path the slave took to ‘citizenship’ is what I want to look at. And I make my analogy through the slave citizen’s music — through the music that is most closely . 26 Jul Blues People outlined a black experience in sound, and it marked the beginning of LeRoi Jones’ social and personal metamorphosis. Blues People was a book he published in back when he was still LeRoi Jones and African Americans were called Negroes. I didn’t purchase the book until.
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Black History Meets Black Music: ‘Blues People’ At 50
Colonial Blues people leroi jones was an alien land in which the African people could not assimilate because of the difference in culture and because they were seen as less than human. Baraka explains, these former slaves are no longer Africans.
The book gave information bluees Christianity. Unlike a blues song this book wasn’t simply written. Both instances were reflected in their music, blues people leroi jones the subject music became more personal and touched on issues of wealth and hostility.
Another point that I found really fascinating and blues people leroi jones I think many other reviewers here have missed has to do with Baraka’s acknowledgement that bluees African-American music took as much from white-American music as the other way around. I believe that it predates the assassination of Malcom and Martin which changed his writing style.
Blues People demonstrates the influence of African Americans blues people leroi jones their culture on American culture and history. My library Help Advanced Book Search. The book does tell about the cultural roll that is in the heart of black music and its many forms. Very provocative book about African-americans and music. Before he became the voice of black nationalist poetry, a young man named Amiri Baraka wrote a book that, while still widely read, deserves to be a primer for understanding the evolution of pop music.
The black middle oeroi both responded and reacted to this by believing their culture should be completely forgotten, trying blues people leroi jones erase their past and culture completely to be able to fit in. In he lectured at San Francisco State University Inhe was arrested in Newark for allegedly carrying an illegal weapon and resisting arrest during the Newark riots, and was subsequently sentenced to three years in prison; shortly afterward an appeals court reversed the sentence based on his defense by attorney, Raymond A.
Retrieved from ” https: My impression is of one of learned, cogently-argued socio-musical history of black and white America, antebellum This book was part blues people leroi jones my reading for an elective core class called Youth Culture, though in practice it quickly become a Music Appreciation class, courtesy of our jazz critic professor. I think I’ll go get myself a hi-fi record player and scour flea markets for blues and jazz standards The cohesive jonew that he constructs.
This separation was encouraged as a way to emulate the white French culture of New Orleans. Harper Voyager science fiction and fantasy.
But because of its sweeping declarations which HAVE to be made, which deserve hearing its political bkues takes over its historical rigor. Jan 17, Jeremy rated it it was amazing Shelves: Jones argues that the black middle-class did not listen to the blues because it was a blues people leroi jones of slavery; an ugly fact that needs to be forgotten in order to assimilate into Blues people leroi jones culture.
But again, this is an extended, genre-bending essay, so he draws on a lot of bues, sympathy, and supposition to make emotional claims alongside the historical ones. Baraka’s writing in jpnes text has the flow of a great uncle who finds it particularly irresistible to not dispense forth a stream of history when he has access to even a single listening ear.
Blues People: Negro Music in White America
As a cursory examination of all this, it is more than adequate. What it is, is a social history of how black music both responded to and developed in relation to black culture an While I have major reservations about a lot of Amiri Baraka’s ideas and statements as expressed in his poetry and elsewhere, I have to acknowledge that Blues people leroi jones People is mostly excellent.
But this book does it! I enjoyed reading this book but like many good books it only left me with more questions on the subject.
Blues People Summary –
There blues people leroi jones one passage I found particularly interesting, a discussion of relative originality among the very early recorded blues singers. Jun 23, Kai rated it it was amazing Shelves: Baraka pelple as LeRoi Jones — came from a middle-class upbringing, including university studies at Rutgers, Columbia and Howard Universities.
I found the discussion of bebop and jazz, the last chapter on “The Modern Scene” to be more of a music critic’s peoplf about other critics as well as musicians piggybacking on others’ work and the loss of meaning apparent in some of their works. The information Amiri Baraka gave was so important to understand how blues and jazz started and importantly how Baptist gospel music derived, singing about their struggle, the pain, hope, death, blues people leroi jones love.
Visit the official Harlequin book site. Peroi is worth reading if only to blues people leroi jones how the zeitgeist has changed on the ideas of racial versus class privilege. As for where we are goingthat old line sums it upwe’re goin where the Southern cross the yella dog. Best known for his highly acclaimed, award-winning play “Dutchman,” as well as “The Slave, The Toliet,” and numerous poetry peopl.
He transitions from highlighting the economic intentions of Western religion and war to pointing out how the very opposite life views of the West African can be construed as primitive because of the high contrast.